3. All Hallows' Eve by Vivian Vande Valde

Vande Valde, Vivian. (2006). All hallows’ eve. New York: Harcourt, Inc. ISBN: 0-15-205576-2. p. 225

Genre: Horror, short story

Interest Age: 12+

Curriculum: NA

Reader’s Annotation
On All Hallows’ Eve, ghosts, witches, werewolves and all of the other creepy things emerge from shadows to roam free.

Plot Summary

All Hallows’ Eve is a collection of 13 horror stories which all occur on October 31st, or “All Hallows’ Eve”. The stories vary in length; some stories are as short as 2 or 3 pages others closer to twenty. All of the stories revolve around teens and their encounters with various ghosts and creatures of the night. Sometimes the stories are sweet, like when the spirit of a deceased boy visits a guilt ridden kid in “Holding On”. Other times the stories read like cautionary tales, such as “I Want to Thank You” and “Come in and Rest a Spell” where the speaker learns too late not to trust certain types of people on Halloween. There are several ghost stories. Some ghosts are humorous (“When My Parents Come to Visit”), some seek vengeance (“Marian”), others protect (“Cemetery Field Trip”), and some are not what they seem (“Morgan Roehmar’s Boys”). Other stories include a tale of a girl’s search for her real mother which comes back to bite her (“My Real Mother”), a boy meeting his girlfriends’ parents for the first and last time (“Pretending”) and a tale of a one sided friendship that even death cannot break (“Best Friends”).

Critical Review

Vivian Valde Vande creates a fun collection of short stories which all occur on the spookiest night of the year, Halloween. While I would not go so far as to call any of the stories contained in All Hallows’ Eve great, they are all fun and more often than not have a twist which leaves the reader with either a smile on their face or a look of shock.
When writing horror stories for teens and young adults, one must walk a very fine line; the author needs to show horror without being graphic, create a sense of dread without being cheesy, and create ghosts and monsters which are not predicable. Vande Valde walks this line quite successfully. She creates creepy atmospheres through her use of description and decent levels of tension through careful pacing and syntax in stories like “Cemetery Field Trip” and “Morgan Roehmar’s Boys”. Although there are several deaths throughout the collection, Vande Valde does not rely on gore or blood to shock the reader. Disgust and nausea are not her goals; that slight chill running down your spine is what Vande Valde is after. For the most part, her stories deliver this feeling. It is easy to imagine these stories being read aloud around a camp fire or in a darkened room lit only by a single flashlight or candle. There is a sense of fun to all of these stories as well as terror.
Some stories work better than others. I found the story of a haunted Global Positioning System (GPS) to be a little corny. The twist at the end of the “When and How”, where four teens have their fortunes read, can be seen coming a mile away to anyone who has ever watched an episode of The Twilight Zone or read/watched Tales from the Crypt. But Vande Valde also puts new spins on several predictable plots which should leave the reader pleasantly surprised. While one might be able to guess the true identity of the adopted girl’s real parents in “My Real Mother”, the final turn is deliciously creepy and unexpected.
Where Vande Valde ultimately succeeds with All Hallows’ Eve, is making Halloween both terrifying and fun. Vande Valde shows that during Halloween there is equal opportunity for laughs and fun, as well as terror and horror.

Author Info

Vivian Vande Valde is an award winning author of over 30 books for teens. She writes primarily in the horror and dark fantasy genres but her works generally include an element of humor and fun as well. Born in 1951, she currently resides in Rochester, NY. Her first book, A Hidden Magic, is a fairy tale inspired by Disney movies like Cinderella, Snow White, and Sleeping Beauty.
Vande Valde’s books have been honored by the American Library Association (ALA) Best Books for Young Adults, ALA Popular Paperbacks for Young Adults, and ALA Quick Pick for Reluctant Young Adult Readers. Her novel Never Trust a Dead Man, won the Edgar Award for Best Young Adult Mystery of 2000. Vande Valde offers author appearances and workshops for both students and teachers through her website: http://vivianvandevelde.com/index.cfm.

Book Talking Ideas
1. What makes a location or an atmosphere scary?
2. What are some of the ways Vande Valde puts twists on classic scary stories involving ghosts or vampires?

Challenges
• There are several deaths involving younger teens.
• There is some description of blood and murder but nothing too graphic.
• "Not too gory, not too gruesome, but thirteen short stories that are scary enough to raise goose bumps and send shivers down the spine. " -- Children's Literature


Why I choose this title

Short stories can be a good way to get reluctant readers to pick up a book. It is a lot easier convincing a kid to read 15 pages than 315 pages. This collection is a good example of how horror stories don’t necessarily need to be overly bloody and violent to be effective. Also, the element of fun is constant throughout the stories.

2. Uzumaki by Junji Ito

Junji, Ito. (2007). Uzumaki: Spiral into horror. San Francisco, CA: Viz Media. ISBN-13:978-1-4215-1389- 8. p. 202

Genre: Horror/Manga

Interest Age: 13+

Curriculum: NA

Reader’s Annotation

Something strange is happening in the Kirie’s quiet town. The town and its people are becoming possessed by spirals and no one can image the horror which is to follow.

Plot Summary

Uzumaki (spiral in Japanese) tells the story of Kirie Goshima, an average high school student in the small town of Kurozu, Japan. She leads a normal life until she slowly notices her town and its people are becoming possessed by spirals. Kirie first notices her boyfriend’s father develop an increasing obsession with the spiral shape which leads to a bizarre and tragic death. The spiral then begins to “infect” her classmates. One develops a spiral like birthmark that literally consumes her. A young couple, whose parents seek to keep them apart, become both emotionally and physically intertwined. Even Kirie herself falls victim to the spiral as her own hair begins possessing medusa like characteristics. This is the first in a three volume series.

Critical Review

Who could have known something as benign as a spiral could lead to such terror? Uzumaki is a brilliantly paced decent into horror. Ito’s artwork is crisp, clean, and lush with detail. Most impressive is Ito’s sense of pacing, which is very deliberate and brooding. A sense of dread slowly builds throughout these first six chapters which make up volume one of this series. This volume (and most of volume 2 for that matter) focuses on building a sense of terror while keeping explanations to a minimum.

The weakest parts of this series are the characters. There is little in the way of character development. Kirie, her family, and boyfriend Shuichi seem to merely move from one sinister event to another without ever really stopping to ask, “I wonder what could be causing this?” or “I think we should get out of town.” To be far, they do try the latter but by the time they do it is too late. But a deep character study is not Ito’s goal. The goal is to create a sense of dread, terror, and horror. In this respect, Uzumaki is an absolute success. Each episode builds slowly to a shocking conclusion. This is highly recommended to anyone with an interest in horror or the macabre.

Author Info

Junji Ito was born in 1963 in Gifu Prefecture, Japan. Originally Ito went to school and worked as a dental technician until his career as an artist and writer began taking off in the 1990s. Inspired by people like horror manga artist Kazuo Umezu as well as American horror writer H.P. Lovecraft, Ito has become one Japan’s most well known as successful horror manga artists. Many of his stories focus on young girls and obsessions with beauty. This can be seen in both the Tomie series as well as Uzumaki.

Ito has had several of his works adapted into films including the Tomie series (5 films to date) and Uzumaki (2000). Ito continues to draw and write for numerous magazines in Japan.

Book Talking Ideas

1. What every day, seemingly benign and harmless things creep you out?

2. How does Ito build tension and atmosphere throughout the comic?

Challenges

While I have not read of any challenges to this series, I imagine its due to the fact that it is not as widely read as other manga such as Dragonball, Naruto, or Death Note. There is no offensive language or sexual content but it does contain plenty of violence and macabre imagery.

• · Be aware of the content and the fact that this is a horror comic; the goal is to being horrific and this will inevitably offend some people.

Why I choose this title

I read this entire series in one sitting. It is a brilliant piece of horror fiction and is an excellent gateway into other similar masters of the macabre such as Poe, Lovecraft, and King. As an avid fan of horror literature and film, I’m always looking for ways to introduce people to one of my greatest passions. There is also a film version which is equally as weird.

1. The Lovely Bones by Alice Sebold

Sebold, Alice. (2002). The lovely bones. New York: Little, Brown and Company. ISBN#: 978-0-316-04440. p. 372

Genre: Fiction
Interest Age: 15+
Curriculum Ties: NA

Reader's Annotation
When Susie Salmon was murdered it was only the beginning of her journey. As she watches from her own personal Heaven, her friends and family cope with her death and search for her murder who lives right around the corner.

Plot Summary
In 1973, Susie Salmon, age 14, is brutally raped and murdered by a neighbor. Susie awakes, not in Heaven, but in the In-Between, an ethereal midway point where she creates and controls her new reality. From this vantage point she is able to observe her friends and family yet is unable to directly interact. She watches as her family and friends cope with her death and search for her killer, whose identity is known to Susie but a mystery to everyone else. She watches as her friends grow older, her family slowly unravels, and her killer goes undiscovered. Susie realizes that although she is no longer alive, she is still very much a part of the lives of her family and friends. Even though Susie is eternally 14, she continues maturing psychotically and emotionally. She also becomes more in control of her new reality, the In-Between. Later she even finds that she can influence and make contact with the real world and her still living friends and family. She might just be strong enough to guide them to her killer.

Critical Review

Sebold weaves together a fantastic story which is effective as a “who done it?” mystery, a study of how loss and grief effect a family, as well as a story about a young girl coping with life, death, and love. Although the reader knows the identity of the killer from the very beginning, since the story is told from Susie’s point of view, no one else does. Watching Susie’s father Jack Salmon, her younger sister Lindsey, and the detective in charge of the case, Fenerman, try and point the pieces together would have been captivating enough on its own. The drama surrounding the Salmon family is heartbreaking at times. Susie’s father becomes obsessed with finding her killer. Her mother struggles to move on yet is unable do to her husband’s obsession and the growing distance between them. Susie’s younger sister must deal with the being “the sister of the girl who was murdered” while her family is falling apart. This is the most effective part of the novel. The drama is rarely melodramatic and the characters, even the murdering Mr. Harvey, are never one dimensional stereotypes. The elements of the fantastic are wonderful. Sebold creates a unique vision of the afterlife where one’s reality is made up of memories, feels, and experiences from one’s life. There are no overt religious messages. Only the idea that the afterlife is what we create, what we take with us.

The Lovely Bones wonderfully shows how there can be love, joy and ultimately healing even after an event as horrible as having a friend, daughter, or sister violently taken from you. Be warned, Sebold gives us neither an easy path nor the easy ending. What she gives us is a very real and cathartic experience.

Author Info

Alice Sebold was born in Antigo, Wisconsin in 1963. To date she has written three novels: Lucky (1999), The Lovely Bones (2002), and The Almost Moon (2007). Her first book, Lucky, is personal memoir recounting her brutal rape while attending Syracuse University. She later identified and testified against her assailant in court where he was eventually convicted. Sebold then returned to school and finished her degree. Later, she fell into hard drug use while living in New York. Sebold recounts, “I did a lot of things that I’m not particularly proud of and that I can’t believe I did”. (Cue, 2001)

After kicking her drug habit she moved to California and became the caretaker of an arts colony and lived in a cabin with no electricity and wrote using propane lantern. Later she enrolled in the University of California , Irvine (UCI) MFA program where she met her future husband, writer Glen David Gold. In a 2002 interview, Sebold stated, “I have always felt extremely weird….but I am very happy with my weirdness and I want people to be very happy with theirs”.

Clarson, Jenifer. (July/August 2002). [Interview with Alice Sebold]. Book. Retrieved March 15, 2010, from http://www.barnesandnoble.com/writers/writerdetails.asp?cid=996944#bio

Cue, Ehzra. (2001). Award winning UCI author Alice Sebold discusses works. New University. Irvine, CA: University of California, Irvine. Retrieved March 15, 2010, from http://web.archive.org/web/20050411022901/http://www.newu.uci.edu/archive/2000- 2001/spring/010430/f-010430-alice.html

Book Talking

1. How does the Salmon family with Susie’s rape/murder? How do their reactions affect the family?

2. What is Susie’s “afterlife”, or In-Between, like? How is it created? What is the author’s perception of the afterlife?

Challenges

There have been challenges to this book in some middle school libraries due to its “graphic content”. The book does deal with the rape and murder of a 14 year old girl. There is a fairly graphic (although nowhere near pornographic) sexual scene. There have also been concerns about the religious content since the main character, Susie, is in a Heaven-like place yet there is no God.

· Be familiar with the parts of the book which involve violence and sexuality

· Be aware of the religious climate of your community

· Precedents: Several middle school libraries have retained this book on the shelves after challenges.

o See: http://www.ala.org/ala/alonline/currentnews/newsarchive/2007/january2007/ALA_print_layout_1_333808_333808.cfm

o http://www.ala.org/ala/issuesadvocacy/banned/bannedbooksweek/ideasandresources/free_downloads/2008banned.pdf

Why I choose this book

Originally I picked up this book because the movie looked good and I wanted to read the book first. I could not put it down once I started reading; I finished it in one day. It has numerous themes, grief, loss, revenge, coming of age, what comes after life, etc…, and all of them are handled beautifully.